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Budding Self-Confidence

Miguel Zepeda Friday, June 7th, 2013

Doña Aidé was one of the first women to arrive for the workshop, and she sat down to chat to enjoy her cup of coffee and pupusas and wait with ArtCorps Artist Miguel Zepeda Santos for the other organizers of women’s microcredit groups to arrive.

Doña Aidé has a quiet and kind demeanor, and like many women from a machista culture, she only speaks if she is addressed directly. I wondered how comfortable she would be participating in the activities and telling the group about herself.

I gave each woman a flower that I had created earlier for them to color and fill in (this technique is called the “Flower of my Life”). On each petal, they were asked to respond to the following statements: I work with women in order to…, What I like the most is…, My best quality is…, What I do best is…, My worst fear is…, What I don’t like is…, My greatest dream is…. Doña Aidé told me that she needed help to complete her flower. I approached her and realized that it was difficult for her to read and that only with much effort, and very slowly, was she able to write. But despite these limitations, she didn’t get discouraged and participated along with the others.

When Doña Aidé finished filling out her flower, she shared the following:

I work with women “to help my family cover household expenses.” What I like the most is “to share with the women in the savings group.” My best quality is “to be very nice to others.” What I do best is “to make a delicious meal.” My worst fear is “to get sick and have to go to the hospital.” What I don’t like is “to be selfish.” My greatest dream is “that my son will be a professional.”

If we ask people what they like and what they don’t like, what their greatest fears and best qualities are, etc., without using this creative technique, people don’t participate. But a simple drawing exercise breaks the silence and allows women to express their day-to-day realities as women, mothers, wives and leaders in their communities.

Once all the women had shared their drawings, Doña Aidé expressed that the drawing had served to make her stop and think about who she is, make note of all her good qualities, know herself better and reflect on her life.

Dona Aide knows how to communicate her biggest fears and this is an important step toward overcoming the physical, psychological, verbal and economic abuse, which she and her peers face every day. In the microcredit groups, women share joy, sadness, pain, a sense of community and determination. Now the organizers of the women’s credit groups have one more tool to use to build self-esteem and communicate with one another.

This project is being carried out in collaboration with Servicio Jesuita para el Desarrollo.

Translated from Spanish by Karen Phillips

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To Mother Nature

ArtCorps Thursday, May 23rd, 2013

This inspiring poem To Mother Nature was written by participants from a recent creative leadership workshop in Belize. After a guided reflection, each group shared their vision for the world they want to create, using the artistic medium of their choice.


Conservation Professionals Gain Practical Tools and Fresh Perspective from Creative Leadership Workshop

ArtCorps Friday, May 17th, 2013

When she signed up for the intensive course in Creative Leadership for Social Change, three full days of training sounded like a long time to Lynette Gomez, Community Development Program Manager of SATIIM. To her pleasant surprise, the sessions were highly interactive and filled with useful exercises for creatively engaging the communities she works with. On the last day of the workshop, Lynette told the group that she hopes to participate in the 12-day certificate course in the future.

What exactly took place in this recent workshop to make it so transformative for Lynette and the other 16 field and management staff from eight marine conservation organizations gathered in Punta Gorda, Belize? Through numerous creative processes facilitated by ArtCorps Alumnae Aryeh Shell and Cherine Badawi, participants explored their purpose, leadership styles, collective visioning and movement building. At the same time, they engaged in rich dialogue about the challenges they face in conservation: overfishing of their reefs, land grabs, plastic pollution, to name a few. Through skits, role play, sculpture building, mural making, music and illustrations, the participants one by one let down their guard, and began to look at things anew, challenging assumptions and seeking fresh ways to build collective action.

The experiential nature of the curriculum called for many to step right to the very edge of their comfort zones–and it was this willingness to take risks and jump into something new that was astounding to witness. By the end of the workshop, each participant shared their plans for creative community projects to help advance their causes. One organization decided to work with the school system to collect trash from the reefs, from which they will create giant recycled sculptures of manatees that raise awareness about the size of this problem.

Christina Garcia, Executive Director, Ya’axche Conservation Trust says, “It is the first time I have participated in such a training and would really recommend for leaders of conservation organizations. I really enjoyed every moment of it!”

Christina and the other participants emerged from the experience empowered to implement the new strategies they had learned. To sum it up, Danny Hun from the Toledo Institute for Development and Environment stated, “WE are the solutions to our problems.” Yes, they are, and after the workshop, they are also better equipped to realize their initiatives.

Read the poem created by participants of this workshop.

This workshop was sponsored by the New England BioLabs Foundation.

The handbooks for this workshop were produced with generous support from Zeno Design in Newburyport, MA.

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Supporter Spotlight: Barry Kaplan, Owner of The Finer Image

ArtCorps Friday, May 17th, 2013

“I love seeing that she was helping a community create a history that would go beyond their oral traditions,” Barry Kaplan says, of ArtCorps Artist Isabel Carrió’s work in the Guatemalan Highlands. Barry had the opportunity to meet Isabel last year at the opening of ArtCorps’ second photography exhibits, all three of which have been sponsored by his shop, The Finer Image, located in Danvers, MA.

Several years ago, after being referred by an ArtCorps board member, Barry was contacted by staff seeking support on a printing job. Since then he’s been a champion of ArtCorps’ mission and a generous sponsor who’s offered his own services for free and secured discounts from his vendors. His framing and printing work will once again be on display at the upcoming photo exhibit and book release featuring the work of Isabel Carrió on May 16, 2013 at the Boston Public Library.

Barry has owned and operated The Finer Image since 1983, and enjoys golf, tennis, hiking, and, of course, photography. He’s active in other ways as well. He’s President of his local Rotary Club, and considers philanthropy a personal duty and social responsibility. “Part of what I do with my life is to help organizations and people when it falls within my range of abilities,” he remarks.

Barry talks about ArtCorps at his Rotary Club meetings and has expressed a desire to do more if he can.  When asked what he would tell anyone interested in becoming involved with ArtCorps, Barry responded brightly, “It is a good local connection to an international effort.”

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Friday Workshops in Totonicapán

Isabel Carrio Thursday, May 2nd, 2013

Each Friday, ArtCorps Artist Isabel Carrió and a group of 42 high school students come together to preserve K’iché Maya culture and forest management practices from a contemporary vantage point.

Sometimes we assemble in one big group, if the project we’re working on calls for it. But usually, there are three groups moving in and out of the light-filled hall of the Xolsacmalaja library in Totonicapán, Guatemala, amidst the sounds of metal chairs scraping and the laughter of the start of the weekend.

Our projects with the 15- and 16-year-olds involve recycling, public art, installations and a photo book in which they can express their doubts, desires and dreams. We want to take on recycled art on a large scale. We plan to create murals out of plastic lids that we have already started to collect, and we are studying images of portraits by Chuck Close along with the traditional embroidery patterns from Totonicapán. These are fragmented images that will be reinvented with the plastic lids.

While we wait on permission from the municipality to develop art and conservation projects within public spaces, we are questioning the felling of all of the trees from Totonicapán Park, and we are watching documentaries by Banksy to inspire us in our upcoming public art interventions. The youth are developing their drawing and painting skills with me, and they are also working on physical and theatrical expression with Josué, a local theater artist from Totonicapán. In order that each young person be comfortable participating fully in the workshop, we let them select from a variety of activities and offer lots of encouragement.

This project is being carried out in collaboration with EcoLogic Development Fund.

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Identity and Tradition through the Eyes of Indigenous Youth

Isabel Carrio Thursday, May 2nd, 2013

ArtCorps Artist Isabel Carrió tackles complex questions about identity and tradition in her work with K’iché Maya teens in Totonicapán, Guatemala.

The present generational breach across language, technology and geography makes the need for the conservation of ancestral practices and the recovery of traditional memory more important than ever. The communal forest is at risk and further threatened by land disputes. Grandparents that barely speak Spanish, if at all, and their grandchildren don’t speak K’iché. Teens look steadily to a country in the north, “The States” as they call it, where their fathers have been for years.

Like looking through a kaleidoscope, in which we see distorted images multiplied by mirrors, there are many different visions of teens from the Xolscmalja community. These impressions join with those of their grandparents, generating new, always changing images. How can the conservation of ancestral practices be revived among these adolescents who listen to rap music on their phones and wear Yankees caps on their heads while they help their grandparents plant corn? The contrast is powerful.

How can the tradition of the káxkól be carried on? This is a voluntary (unpaid) year of community service with the 48 Cantons Natural Resource Board, the K’iche’ traditional governing body. If this duty is not fulfilled, water service is cut off. Today, one cannot leave a paying job for a volunteer job, despite the fact that these positions are an indispensable contribution to the community. How do young people view this structure and how do they see themselves working within it in the future?

This is our challenge this year, one that positions us to be more realistic and less idealistic. Everything has changed–and the grandparents are the last link in the chain. They are those who still chop wood by hand and climb up into the mountains carrying candles to celebrate religious ceremonies. As we begin our activities, our Young Leaders in Conservation, full of life and enthusiasm, must ask themselves which path they want to follow.

This project is being carried out in collaboration with EcoLogic Development Fund.

Translated from Spanish by Karen Phillips

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Free Event at Boston Public Library on May 16: Photo Exhibit and Book Launch

ArtCorps Friday, March 29th, 2013

ArtCorps and Ecologic Development Fund invite you to join us for a spectacular visual journey and learn about how we are working together to protect natural resources and Mayan culture in Totonicapan, Guatemala.

Wisdom of the Rocky Hillsides, Book Cover, ArtCorps Artist Isabel CarrioAwakening a Culture of Conservation: Photo Exhibit and Book Launch

6:30 – 8:30 pm
Boston Public Library, Copley Square
Mezzanine Conference Room
700 Boylston Street,Boston map
Free and open to the public. Light refreshments.
RSVP

Pick up a copy of Wisdom of the Rocky Hillsides, a collection of stories from K’iche’ Maya oral tradition illustrated by our Young Leaders in Conservation.

Take a spectacular journey through the photography of ArtCorps Artist Isabel Carrió to witness community efforts to preserve the natural resources and cultural heritage of the Guatemalan highlands. Learn more about the ArtCorps-EcoLogic creative collaboration.

You will also have the opportunity to participate in a community art activity with ArtCorps Alumnae Andrea Shigeko Landin, win door prizes such as delicious Taza chocolate sustainably sourced from Central America or a $100 gift certificate to Ole Mexican Grill in Cambridge, and sign up with Renew Boston for a free home energy assessment.

Photo exhibit made possible by generous support from The Finer Image in Danvers, MA.


Wisdom of the Rocky Hillsides: Children Illustrate Book on Mayan Conservation

Isabel Carrio Thursday, February 28th, 2013

The colorful book “Wisdom of the Rocky Hillsides” (Etamabál re u wo Xaq) is hot off the press. In preparation for the book launch at the Boston Public Library on May 16, 2013, ArtCorps Artist Isabel Carrió journeys through the book’s eight stories and captivating illustrations.

These short stories from the communities of the Panquix, Rancho de Teja, Xolnahualá, Xeman, Chuipec, Patuj, Chuicaxtun and Pacapox in Totonicapán, Guatemala, transport us with images of communal forests, birds, snakes and dolls made of gold that bring good fortune. These ancestral stories, told by the grandmothers and grandfathers of these communities to their grandchildren, transmit important messages about caring for the forest and water resources, respecting nature and the close relationship between human beings and the natural world.

This inter-generational project, which began months ago while traversing the mountain roads of these far-flung communities, has become tangible through this book dedicated to keeping traditional memory alive. By documenting stories from this oral tradition, we seek to preserve the cultural identity and understanding of the K’iche’ Mayan people for generations to come. Read more about the process of documenting and illustrating the stories.

Thanks to the grandmothers and grandfathers, and the teachers and the children who participated in this project, today we have a document that keeps the indigenous K’iche’ Maya language alive and takes us on a timeless journey to a place where rocks have special powers and forests embrace the clouds.

This project was realized in collaboration with EcoLogic Development Fund.

Translated from Spanish by Karen Phillips.

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How Does an ArtCorps Workshop Catalyze Social Change?

ArtCorps Tuesday, January 15th, 2013

In this interview, ArtCorps Artist Naphtali Fields explains how sowing confidence, purpose and creative leadership builds stronger communities.

Youth workshop, ArtCorps Artist Naphtali FieldsOver the past year, you have facilitated over 100 ArtCorps workshops. What have the youth groups and Servicio Jesuita staff taken away from the workshops?

The youth have learned that their stories matter and how to use storytelling and theater to promote discussion and behavior change. They have also experienced the power of what they can accomplish by working together. Staff have learned to value creativity, to give themselves more time and space in their personal life to reflect artistically, and that there is always a more dynamic and engaging way to present information.

How are the youth and staff applying their new skills and knowledge?

Youth are coming up with their own initiatives for continuing to creatively work to improve their communities. Other public and nonprofit organizations have approached the youth we trained to create original plays. The staff are thinking in new ways about how to incorporate creativity into their meetings and workshops, and they are trying to resolve conflicts in the office and the communities where they work by using arts-based tools.

Servicio Jesuita takes a “holistic” approach to human development. Can you explain how this plays out in your work?

I think the best way to think about community development is to understand how the issues are interconnected. The kid in a theater group is the same kid who gets sick when he has to put chemical fertilizers on his corn, the same kid who’s seen his dad beat up his mom and the same kid who only studied up to third grade because he had to start working full-time. So we are discussing, reflecting and working on multifaceted issues that are part of the participants’ daily reality. We’re holding up a mirror of what’s happening now along with an alternative vision of what we can accomplish together.

Mask-masking identity workshop with young women, ArtCorps Artist Naphtali FieldsWhich of your accomplishments as an ArtCorps Artist are you most proud of? Why?

I’m proudest not of the plays that we’ve performed, but of the change I see in the youth after they join the group. This takes place in the moments when they realize that they have accomplished something that they never imagined they could (like memorizing a part, singing a rap or performing for an audience)–and it happens not only in performances but in our weekly rehearsals and workshops.

How has your understanding of Art for Social Action evolved over the past two years?

I’ve realized that social action doesn’t happen until there is individual transformation–and that is a slow process. The beauty of Art for Social Action is that when one or two people discover their confidence and purpose and begin to blossom creatively, their actions inspire others to follow their example. This is how change spreads!

In 2012, the youth groups trained by ArtCorps Artist Naphtali Fields performed nine plays reaching over 700 people with messages about sustainable agriculture, women’s rights and violence prevention. This project is being carried out in collaboration with Servicio Jesuita para el Desarrollo and Oxfam America.


Salvadoran Youth Is a Guiding Example for Peers and Neighbors

Naphtali Fields Monday, January 14th, 2013

Edwin hopes to finish high school next year. He lives with his aunt because his mother left him at age seven to get remarried and the new husband didn’t want him. Last November, he started coming to the youth theater group led by ArtCorps Artist Naphtali Fields but after participating in several rehearsals for the Christmas play, he drifted away. This year, though, Edwin comes to every workshop and rehearsal.

Edwin and his wife on their wedding day in play about domestic violence

Edwin starring as husband in play about domestic violence

Edwin is the one who organizes his cousins so that they bike together up to the little school where we meet for every rehearsal. If I need something, he will get it for me. If the group is rowdy or not focused, Edwin helps me restore order. He does all of this quietly and without calling attention to himself.

A few months ago, I sat down alone with him before a rehearsal and told him, “Edwin, you are the one in the group who has grown the most in your leadership skills. When I leave, you’re going to have to work hard to keep the group going because everyone respects you and listens to you.” He ducked his head trying to hide his smile but didn’t say anything, just nodded. Later that night, as we were rehearsing, I noticed that he had taken my words seriously. Offstage he marshaled the actors and kept them focused. In our reflection circle he was constantly helping.

Edwin’s leadership has continued to grow significantly. He and Aracely, another of the group’s leaders, wrote, directed and organized a play on gender-based violence for the International Day for the Elimination of Violence against Women (November 25), which they performed for over 100 women from the Jujutla area. Days later, at the request of the public health department, they performed the same play in their own community. This was a big step for Edwin who had joined the group with the disclaimer that he would only perform outside of his village: “I’ll do a play for other people, but I’ll never perform in Las Palmeras. Everyone knows me here; they’ll all laugh at me.”

Edwin acting part of abusive husband in play about domestic violence

Edwin acting part of abusive husband in play about domestic violence

After the performance I asked him what changed his mind. He explained that he was inspired by another ArtCorps theater group, who he saw perform in their own community: “The actors in Guayapa were really good, and no one laughed at them. We can do the same thing here.” Edwin is truly a guiding example for his peers and neighbors, and it has been a real joy to see him change from an on-the-edge drifter to a motivational leader.

This project is being carried out in collaboration with Servicio Jesuita para el Desarrollo and Oxfam America in Ahuachapan, El Salvador.

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