Posts Tagged ‘leadership’

How Does an ArtCorps Workshop Catalyze Social Change?

ArtCorps Tuesday, January 15th, 2013

In this interview, ArtCorps Artist Naphtali Fields explains how sowing confidence, purpose and creative leadership builds stronger communities.

Youth workshop, ArtCorps Artist Naphtali FieldsOver the past year, you have facilitated over 100 ArtCorps workshops. What have the youth groups and Servicio Jesuita staff taken away from the workshops?

The youth have learned that their stories matter and how to use storytelling and theater to promote discussion and behavior change. They have also experienced the power of what they can accomplish by working together. Staff have learned to value creativity, to give themselves more time and space in their personal life to reflect artistically, and that there is always a more dynamic and engaging way to present information.

How are the youth and staff applying their new skills and knowledge?

Youth are coming up with their own initiatives for continuing to creatively work to improve their communities. Other public and nonprofit organizations have approached the youth we trained to create original plays. The staff are thinking in new ways about how to incorporate creativity into their meetings and workshops, and they are trying to resolve conflicts in the office and the communities where they work by using arts-based tools.

Servicio Jesuita takes a “holistic” approach to human development. Can you explain how this plays out in your work?

I think the best way to think about community development is to understand how the issues are interconnected. The kid in a theater group is the same kid who gets sick when he has to put chemical fertilizers on his corn, the same kid who’s seen his dad beat up his mom and the same kid who only studied up to third grade because he had to start working full-time. So we are discussing, reflecting and working on multifaceted issues that are part of the participants’ daily reality. We’re holding up a mirror of what’s happening now along with an alternative vision of what we can accomplish together.

Mask-masking identity workshop with young women, ArtCorps Artist Naphtali FieldsWhich of your accomplishments as an ArtCorps Artist are you most proud of? Why?

I’m proudest not of the plays that we’ve performed, but of the change I see in the youth after they join the group. This takes place in the moments when they realize that they have accomplished something that they never imagined they could (like memorizing a part, singing a rap or performing for an audience)–and it happens not only in performances but in our weekly rehearsals and workshops.

How has your understanding of Art for Social Action evolved over the past two years?

I’ve realized that social action doesn’t happen until there is individual transformation–and that is a slow process. The beauty of Art for Social Action is that when one or two people discover their confidence and purpose and begin to blossom creatively, their actions inspire others to follow their example. This is how change spreads!

In 2012, the youth groups trained by ArtCorps Artist Naphtali Fields performed nine plays reaching over 700 people with messages about sustainable agriculture, women’s rights and violence prevention. This project is being carried out in collaboration with Servicio Jesuita para el Desarrollo and Oxfam America.


Salvadoran Youth Is a Guiding Example for Peers and Neighbors

Naphtali Fields Monday, January 14th, 2013

Edwin hopes to finish high school next year. He lives with his aunt because his mother left him at age seven to get remarried and the new husband didn’t want him. Last November, he started coming to the youth theater group led by ArtCorps Artist Naphtali Fields but after participating in several rehearsals for the Christmas play, he drifted away. This year, though, Edwin comes to every workshop and rehearsal.

Edwin and his wife on their wedding day in play about domestic violence

Edwin starring as husband in play about domestic violence

Edwin is the one who organizes his cousins so that they bike together up to the little school where we meet for every rehearsal. If I need something, he will get it for me. If the group is rowdy or not focused, Edwin helps me restore order. He does all of this quietly and without calling attention to himself.

A few months ago, I sat down alone with him before a rehearsal and told him, “Edwin, you are the one in the group who has grown the most in your leadership skills. When I leave, you’re going to have to work hard to keep the group going because everyone respects you and listens to you.” He ducked his head trying to hide his smile but didn’t say anything, just nodded. Later that night, as we were rehearsing, I noticed that he had taken my words seriously. Offstage he marshaled the actors and kept them focused. In our reflection circle he was constantly helping.

Edwin’s leadership has continued to grow significantly. He and Aracely, another of the group’s leaders, wrote, directed and organized a play on gender-based violence for the International Day for the Elimination of Violence against Women (November 25), which they performed for over 100 women from the Jujutla area. Days later, at the request of the public health department, they performed the same play in their own community. This was a big step for Edwin who had joined the group with the disclaimer that he would only perform outside of his village: “I’ll do a play for other people, but I’ll never perform in Las Palmeras. Everyone knows me here; they’ll all laugh at me.”

Edwin acting part of abusive husband in play about domestic violence

Edwin acting part of abusive husband in play about domestic violence

After the performance I asked him what changed his mind. He explained that he was inspired by another ArtCorps theater group, who he saw perform in their own community: “The actors in Guayapa were really good, and no one laughed at them. We can do the same thing here.” Edwin is truly a guiding example for his peers and neighbors, and it has been a real joy to see him change from an on-the-edge drifter to a motivational leader.

This project is being carried out in collaboration with Servicio Jesuita para el Desarrollo and Oxfam America in Ahuachapan, El Salvador.

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Youth Take Brave Steps Forward

Naphtali Fields Thursday, January 10th, 2013

ArtCorps Artist Naphtali Fields shares the accomplishments of two valiant groups of young people who never dreamed of taking the stage.

INJUVE youth group, ArtCorps Artist Naphtali FieldsIn December, the theater of Ahuachapán presented a double performance showcasing original plays by ArtCorps youth.

The first was an adapted version of Romeo and Juliet, Salvadoran-style. Of the fifteen teens who started in the group, few came to more than a few meetings in a row. Two days ago only half showed up to rehearsal. The rest had failed their classes for the year and were grounded. It looked like their first play wouldn’t happen. The youth all come from difficult home situations and a tough urban neighborhood ridden with gangs, drugs and crime; they have a hard time being responsible and respecting each other, let alone learning their lines.

Yet somehow, once again, the magic of the theater prevailed. Romeo, a boy who leads his own mini-gang and starts schoolyard fights, carefully guarded the rose he had plucked for Juliet. He helped me set up the stage, listened quietly to my instructions, and his first performance in public was a huge success. Each once-distracted girl or bad-attitude guy was motivated and worked together to present a beautiful play that communicated messages about domestic violence and abuse of power.

Young woman acting on stage, ArtCorps Artist Naphtali FieldsThe second play about gender-based violence was performed by the youth group from Palmeras, a village about 10 miles outside of town. Niña Nati came to watch her daughter Aracely act for the first time. Niña Nati can’t read and she sat in the back of the theater, clearly overwhelmed by its lavishness. When Aracely entered as a grumpy mother-in-law wearing her mother’s clothes, Niña Nati was proud as punch. Afterwards I asked her how she liked the play. “Oh, it was wonderful,” she replied, smiling, “but Aracely makes a very mean mother-in-law.”

After the performances, Aracely and I sat in the park eating ice cream. We talked about her dreams to study agriculture to work in rural communities and help poor farmers diversify their crops and take better care of their land. “I used to think the most I could do was work in someone’s house as their housekeeper,” she said between licks of the strawberry cone, “but slowly all these doors have been opened for me and now, even though my mother can’t sign her name, I’m planning on getting a university degree…I never could have imagined it a few years ago.”

This project is being carried out in collaboration with Servicio Jesuita para el Desarrollo and Oxfam America.


Cómo Nelson se Convirtió en Defensor de Personas con Discapacidades

Patricia Escalon Friday, January 4th, 2013

Nelson Poncio es un hombre de 36 años que comenzó con la Radio Doble Vía en su incepción en Quetzaltenango y su ejemplo es una inspiracion para todos jóvenes.

Nelson reporting on soccer gameNelson perdió el uso de sus piernas cuando contrajo poliomelitis de bebé y siendo de una familia de escasos recursos no se imaginó jamás llegar a poder alcanzar su sueño de ser locutor de radio. Con el apoyo de sus amigos y de la radio comunitaria, Nelson logró materializar su sueño y hoy es uno de los locutores y comentadores de fùtbol más cotizados en la región de Quetzaltenango. Y sige creciendo como líder.

Al principio cuando Nelson se incorporó a los talleres de ArtCorps sobre producción de video, se rehusaba a aparecer frente a la cámara. Pero mediante fue aprendiendo la técnica de la producción de video y lo que implica el guionismo y la dirección de un video, se fue compenetrando más y más. Hasta el punto que accedió no solamente a aparecer frente a una cámara como anunciador, sino a contar su historia para animar a otros que tengan dudas acerca de sus propias capacidades.

Al finalizar del curso de realización de video impartido por medio de ArtCorps, Nelson le agradeció a la Artista ArtCorps Patricia Escalón por haber tenido fé en él y por haberle dado la oportunidad de dirigir su video y otros. Reconoció que sin esta oportunidad, él no se hubiera atrevido a dar una entrevista a El Quetzalteco, el períodico más circulado de Xela, acerca de su vida. Explica Nelson, “Nunca me hubiera imaginado que tenía adentro de mí mismo una fuente de creatividad y de visión como la que descubrí al aprender a realizar videos.”

Nelson ahora es gerente de la Radio Doble Vía.

Este proyecto está siendo desarrollado con el apoyo de Cultural Survival.

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How Nelson Became an Advocate for Persons with Disabilities

Patricia Escalon Friday, January 4th, 2013

36-year-old Nelson Poncio started out with Doble Vía community radio when it was first launched in Quetzaltenango, Guatemala, and his example is an inspiration to all young people.

Nelson reporting on soccer gameNelson lost use of his legs when he contracted polio as a baby, and, coming from a family with few resources, he never imagined he would be able to achieve his dream of becoming a radio host. Thanks to the support of his friends and the community radio station, today Nelson is one of the best-known broadcasters and football commentators in the Quetzaltenango region. And he continues to grow as a leader.

When he first joined ArtCorps’ video production workshops for community radio staff volunteers, Nelson refused to appear before the camera. But as he learned about video production techniques, screenwriting and video direction, he got more and more involved in the process. By the end, he not only agreed to appear before the camera as an announcer, but also to tell his own story to inspire others that have doubts about their own abilities.

On completing the video production training program, Nelson thanked ArtCorps Artist Patricia Escalon for having had faith in him and for giving him the opportunity to lead others. He recognized that without this opportunity, he wouldn’t have dared to give an interview to El Quetzalteco, Xela’s leading newspaper, about his life. Nelson explains, “I never imagined that I had the inner creativity and vision that I discovered when I learned how to make videos.”

Nelson is now manager of the Doble Via community radio station.

This project is being carried out in partnership with Cultural Survival.

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Victor: The Littlest Changemaker

Isabel Carrio Tuesday, November 27th, 2012

Thank you to all of our supporters for helping to prepare young leaders like Victor! The story of “the littlest changemaker” is told by ArtCorps Artist Isabel Carrió, who has worked with Victor and the other ArtCorps’ Youth Leaders in Conservation in Guatemala since January 2012.

ArtCorps Youth Leader in Conservation, Victor, with his self-portrait_ArtCorps Artist Isabel Carrio, GuatemalaIn the first of the ArtCorps’ Youth Leaders in Conservation workshops, Victor was timid and withdrawn. But as the weeks went by, he began to show a new side of himself. Creative activities helped him break through his shell, and Victor began to express himself and engage in the learning process. His reserved manner became one of joy and confidence–and the peers who used to ignore him now admired his work. If he didn’t show up to a workshop session, everyone asked about him.

Over the year, the smallest member has become the group’s natural leader. In August 2012, a portrait taken by Victor was showcased in the Green Week photography exhibit. He is the most creative and passionate participant, and Victor has developed the ability to lead us to places we never dreamed of.

This project is being carried out in collaboration with EcoLogic Development Fund.

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Opportunity to Use the Arts to Strengthen Communities in Central America in 2013

ArtCorps Wednesday, October 24th, 2012

Calling theater artists and all artists! Creativity inspires change!

San Andres Youth Theater Troupe, ArtCorps Artist Cristian Beltran, ACOFOP, GuatemalaJoin ArtCorps and accelerate social change in Central America with your creative talents. Through theater, storytelling, music, visual arts, digital media and other creative facilitation techniques, ArtCorps Artists educate and inspire people to participate actively in improving their environmental, health and social conditions.

Each ArtCorps Artist works directly with a local development organization that is an expert in its field, training their field staff and community members and leaders in our Art for Social Action methodology.

As part of this experience, ArtCorps offers artists:

  • A living stipend of $500/month
  • Medical insurance
  • A budget for project materials
  • Training in Art for Social Action
  • Technical assistance and support from ArtCorps staff in the region

Requirements

  • Training in theater and/or radio broadcasting (additional skills in other artistic mediums preferred)
  • Experience in community development and group facilitation
  • Ability to document projects and contribute to the development of new tools and strategies through reports, blog posts, photos and recordings
  • Spanish fluency (native Spanish speaker with English fluency preferred)

How to Apply

We are currently accepting applications for two positions (one in El Salvador and one in Guatemala) that will start in January 2013 and end in December 2013. Please send your resume and cover letter (in Spanish) along with samples of your art pieces or performances to info@artcorp.org. The deadline for applications is November 30, 2012.

Teachers Act in Skit at Workshop, ArtCorps Artist Isabel Carrio, GuatemalaAbout ArtCorps

Over the last 12 years, ArtCorps has accelerated the process of social change by training organizations and the communities they serve in innovative strategies for education, community engagement and leadership development. Our methodology taps into the power of the arts-based strategies–such as murals, theater, radio and music–to unlock creative potential, transfer critical knowledge and inspire long-term behavior change. To learn more, visit www.artcorp.org.

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En las Palabras de nuestro Socio: El Valor de la Juventud y la Creatividad

ArtCorps Wednesday, October 24th, 2012

Los jóvenes líderes capacitados por ArtCorps han sorprendido al Servicio Jesuita para el Desarrollo, sus propias familias, comunidades y hasta a ellos mismos de lo que son capaces de lograr.

“Observar a la juventud nos hizo preguntarnos a nosotros mismos por qué no habíamos trabajado directamente antes con la juventud,” confiesa Gerardo Morales, Director Ejecutivo del Servicio Jesuita para el Desarrollo.

El Servicio Jesuita para el Desarrollo socio de ArtCorps, promueve medios de vida sostenibles y la organización social entre poblaciones rurales de bajos ingresos en El Salvador. El Arte para la Acción complementa su visión, explica Gerardo: “El rol del arte en nuestro proceso educativo, es el de ayudar a las personas y familias con las que trabajamos a que determinen su propio camino a seguir.”

La integración ha sido tan fluida que cuesta creer que hace apenas un año, ningún componente de creatividad o liderazgo de jóvenes era presente en sus programas de educación y extensión. En palabras de Gerardo, “[Los talleres de ArtCorps] han demostrado qué un enfoque basado en el arte mejora la captación de mensajes y ayuda a los participantes a expresarse a si mismos. El arte es una herramienta que puede cambiar a las personas e incidir en los procesos educativos…. Que tesoro para nuestra organización!”

En el primer año de nuestra colaboración ArtCorps ha generado la formación de dos grupos de jóvenes, quienes han pasado de una tímida participación hasta crear sus propias obras de teatro y presentarlas en público. Con el crecimiento de la auto-estima, el pensamiento crítico, las habilidades creativas y el sentido de propósito, éstos jóvenes están ahora listos para liderar y revitalizar sus comunidades. Gerardo narra, “Justo el otro día yo vi a uno de éstos grupos de jóvenes ayudando en una de nuestras capacitaciones en otra región, y demostraron cuánto tienen para contribuir.” Servicio Jesuita planea aprovechar la capacidad instalada de éstos nuevos lideres para promover el cambio social a través de un nuevo centro de comunicaciones que se abrirá el próximo año, y en todos los territorios donde trabajan.

Este proyecto está siendo desarrollado con el apoyo de Oxfam America y New England BioLabs.

Traducción del inglés por María Elisa Murray

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In our Partner’s Words: The Value of Youth and Creativity

ArtCorps Wednesday, October 24th, 2012

The youth leaders trained by ArtCorps have surprised our grassroots partner Servicio Jesuita para el Desarrollo, their own families, communities and even themselves with what they are capable of.

“Observing the ArtCorps-trained youth leaders made us ask ourselves why we hadn’t worked directly with youth before,” confesses Gerardo Morales, Executive Director of Servicio Jesuita para el Desarrollo.

ArtCorps’ partner, Servicio Jesuita, promotes sustainable livelihoods and stronger communities in low-income, rural populations in El Salvador. Art for Social Action complements their vision, explains Gerardo: “The role of art in our education model is to help the individual and families we work with determine their own path forward.”

The integration has been so smooth that it’s hard to believe that just one year ago, neither creativity nor youth leadership was present in their education and outreach programs. In Gerardo’s words, “[The ArtCorps workshops] have demonstrated that an arts-based approach improves delivery of messages, helps learners to express themselves and is a platform for reflection, discussion and action. What a treasure for our organization to have discovered!”

In this first year of our partnership, ArtCorps has formed two youth groups who have grown from timid participants to performing their own plays in public. With increased self-esteem, critical thinking and creative skills and a sense of purpose, these youth are ready to lead and revitalize their communities. Gerardo recounts, “Just the other day I saw one of these youth groups supporting one of our training activities in another region, and they showed how much they have to contribute.” Servicio Jesuita plans to leverage the newly trained leaders to promote social change on the airwaves of a new radio station that will open next year, and at project sites around the country.

This project is being carried out with support from Oxfam America and New England BioLabs.

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El Poder de la Vara

Isabel Carrio Tuesday, October 23rd, 2012

Artista ArtCorps Isabel Carrió facilita un intercambio animado sobre el poder y la tradición en la primera capacitación con los miembros de la Junta de Recursos Naturales de los 48 Cantones de Totonicapán.

Varas (Sticks) Displayed in Circle, ArtCorps Artist Isabel CarrioCuando vine de visita por primera vez a Totonicapán, pensé que sabía todo de los 48 Cantones: una de las formas de autogestión indígena más arraigada y con más fuerza entre los pueblos originarios del país. También conocida por sus cuidados del bosque comunal, el agua y sus recursos naturales.

Sin embargo, cuando vi por las calles gente llevando una vara negra en sus manos, pensé que aquí en Totonicapán, BAILABAN. Se me cruzó la imagen de Fred Astaire con su danza de bastones negros y zapateo.

Pero no. La vara negra en Totonicapán es el SIMBOLO MAXIMO  DE LA AUTORIDAD. Quien lleva la vara  está representando al poder del pueblo maya quiché de Totonicapán y sus cantones. Una tradición de más de 200 años.

Para los habitantes de Totonicapán, la vara negra es un símbolo ya establecido y con el que están  familiarizados. Para quien lo desconoce, puede despertar diversas y fantasiosas interpretaciones.

Con esta consigna, diagramamos un taller con los miembros de la Junta de Recursos Naturales. La idea era descontextualizar el significado de la vara para poder reconstruirlo y de esta manera, reafirmar esta presencia viva de la vara. La intención en esta actividad también es la conservación de las prácticas ancestrales.

Envié por email a mis amigos de otras partes del mundo, fotos con gente de Totonicapán llevando varas en situaciones cotidianas. Les pregunté que pensaban sobre estas imágenes. ¿Quiénes eran? ¿Por qué llevaban varas negras?

Yuko del Japón dijo que eran policías que tenían las varas para proteger a las mujeres y los niños de los ladrones. Silvia de España dijo que eran médicos naturistas, que llevaban hierbas adentro de las varas para sanar a la población. Sunil de USA dijo que eran estudiantes de una carrera religiosa. Amalia de Italia piensa que son jubilados. Eva de Alemania dijo que eran magos llendo a animar una fiesta infantil. Anki de Norway pensó que eran bailarines también. Y Zartosht de Irán dijo que las varas eran para alejar a los malos espíritus.

Les presente estas respuestas a los casi 40 miembros de la Junta. Todos escuchaban entre alarmados y risueños.

Inmediatamente finalizada esta exposición, empezaron a expresarse, casi defendiéndose. De pie y con la voz en alto, revalorizaron el significado de sus varas. Estuvieron más de una hora reloj, sin necesidad de intervención de nadie, expresando ideas como estas.

  • “La autoridad es música, es canción. A veces se escucha bajito, a veces es triste y otras alegre. Pero todos la escuchan.”
  • “La autoridad es como el casamiento en el cual se respeta a la pareja. Se está juntos en las buenas y en las malas.”
  • “La autoridad se relaciona con el agua y el bosque. El agua es vida y la autoridad es vida también.”
  • “La autoridad es el sol y la justicia para todos, sin importar raza o condición social.”

A su vez la presidenta de los 48 Cantones, Carmen Tacam, nos cuenta que se siente energía a través de la vara. “La vara es la que manda, nosotros somos intermediarios.”

Así como la vara puede ser una bendición en la vida de la persona que la porta,  también puede ser una maldición si la persona no lo sabe hacer bien. No se puede prestar la vara a nadie. Es sólo para la persona que la tiene que portar ese año.

Members of 48 Cantons with Mandala drawings they made at Workshop, ArtCorps Artist Isabel CarrioNos cuenta también que el último día de cada año es cuando la vara cambia de portador y pasa a manos del nuevo presidente de la Junta. Entonces, se deja la vara con agua de rosas, en una olla de barro. Se echan los pétalos de rosa  y se deja descansar por la noche del 31 de diciembre. Se le prende una veladora, se le pone incienso y se le agradece por la protección,  la ayuda y  la sabiduría que les dio ese año. Para así entregarla a la nueva autoridad  con nueva energía.

Motivados con tanta discusión y compartiendo ideas, también hicimos una instalación a manera de mandala en el espacio donde trabajamos. Todos dejaron espontáneamente sus varas en el círculo. Y nos sumamos a este año de mandalas, representando en este caso el pasado, futuro  y presente, de manera individual y grupal a través de la pintura y el dibujo.

La mañana transcurrió tan rápido que cuando nos dimos cuenta, ya estábamos almorzando entre mandalas  llenas de inquietudes y deseos. Con renovadas energías para terminar el año.

Este proyecto se está desarrollando en colaboración con EcoLogic Development Fund.

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